Bacon, Henry, Visconti: Explorations of Beauty and Decay, Cambridge: Cambridge University Press, 1998.
Bondanella, Peter E., Italian Cinema: From Neorealism to the Present, New York: Continuum, 2001.
Korte, Walter F., Jr. “Marxism and Formalism in the Films of Luchino Visconti”, Cinema Journal, Vol. 11, No. 1, Autumn, 1971, pp. 2–12.
Lopate, Phillip. “The Operatic Realism of Luchino Visconti”, Totally, Tenderly, Tragically: Essays and Criticism From a Lifelong Love Affair with the Movies, New York: Anchor Books, 1998. pp. 101–114
Nochimson, Martha P., “The Melodramatic Neorealism of Luchino Visconti”, Cineaste, Vol. 28, No. 2, Spring, 2003, pp. 45–48.
Pacifici, Sergio J., “Notes Toward a Definition of Neorealism”, Yale French Studies, No. 17, Art of the Cinema, 1956, pp. 44–53. Pacifici discusses the term Neorealism and examines several popular movies which came out of the movement.
Poggi, Gianfranco, “Luchino Visconti and the Italian Cinema”, Film Quarterly, Vol. 13, No. 3, Spring, 1960, pp. 11–22. Poggi discusses Visconti and his work in the context of neorealism and the Italian cinema of the time.
Servadio, Gaia, Visconti: A Biography, New York: F. Watts, 1983.
驚情, 義大利語, ossessione, 是一部1943年意大利懸疑電影, 由盧切諾, 維斯康堤執導, clara, calamai, massimo, girotti及dhia, cristiani等主演, 電影改編自占士, 肯恩的1934年犯罪小說, 郵差總按兩次鈴, 描述一名流浪青年與一間餐館的老闆娘合謀要將餐館老闆殺掉的故事, ossessione電影海報基本资料导演盧切諾, 維斯康堤编剧卢奇诺, 维斯孔蒂mario, alicata, 朱塞佩, 聖提斯, gianni, puccini, 阿尔贝托, 莫. 驚情 義大利語 Ossessione 是一部1943年意大利懸疑電影 由盧切諾 維斯康堤執導 Clara Calamai Massimo Girotti及Dhia Cristiani等主演 電影改編自占士 肯恩的1934年犯罪小說 郵差總按兩次鈴 描述一名流浪青年與一間餐館的老闆娘合謀要將餐館老闆殺掉的故事 驚情Ossessione電影海報基本资料导演盧切諾 維斯康堤编剧卢奇诺 维斯孔蒂Mario Alicata 朱塞佩 迪 聖提斯 Gianni Puccini 阿尔贝托 莫拉维亚安东尼奥 比埃朗基里 剧本盧切諾 維斯康堤Mario AlicataGiuseppe De SantisGianni Puccini原著占士 肯恩的 郵差總按兩次鈴 主演Clara CalamaiMassimo GirottiDhia Cristiani配乐Giuseppe Rosati摄影Domenico ScalaAldo Tonti剪辑Mario Serandrei片长140分鐘语言意大利語上映及发行上映日期1943年5月16日 1943 05 16 发行商Industrie Cinematografiche Italiane此片是維斯康堤第一套正式電影 亦被不少人視為第一套的意大利新现实主义電影 目录 1 製作 2 延伸閱讀 3 另見 4 外部連結製作 编辑1940年代初 意大利正受法西斯政權統治 維斯康堤並不能拍攝他想拍的題材 才開始改編 郵差總按兩次鈴 但維斯康堤卻因二戰關係而不能取得原著小說版權 法西斯政權更因驚情並不是他們想像的簡單懸疑電影 而在此片發行不久後將它列為禁片 並下令將拷貝銷毀 最後 因維斯康堤私底下保留了一卷底片 此片才得以留傳下去 並於1976年在意大利外發行 延伸閱讀 编辑Bacon Henry Visconti Explorations of Beauty and Decay Cambridge Cambridge University Press 1998 Bondanella Peter E Italian Cinema From Neorealism to the Present New York Continuum 2001 Korte Walter F Jr Marxism and Formalism in the Films of Luchino Visconti Cinema Journal Vol 11 No 1 Autumn 1971 pp 2 12 Lopate Phillip The Operatic Realism of Luchino Visconti Totally Tenderly Tragically Essays and Criticism From a Lifelong Love Affair with the Movies New York Anchor Books 1998 pp 101 114 Nochimson Martha P The Melodramatic Neorealism of Luchino Visconti Cineaste Vol 28 No 2 Spring 2003 pp 45 48 Pacifici Sergio J Notes Toward a Definition of Neorealism Yale French Studies No 17 Art of the Cinema 1956 pp 44 53 Pacifici discusses the term Neorealism and examines several popular movies which came out of the movement Poggi Gianfranco Luchino Visconti and the Italian Cinema Film Quarterly Vol 13 No 3 Spring 1960 pp 11 22 Poggi discusses Visconti and his work in the context of neorealism and the Italian cinema of the time Servadio Gaia Visconti A Biography New York F Watts 1983 Shiel Mark Italian Neorealism Rebuilding the Cinematic City Wallflower Press 2005 ISBN 9781904764489 ISBN 1904764487另見 编辑The Postman Always Rings Twice 1946 American version The Postman Always Rings Twice 1981 film directed by Bob Rafelson The Postman Always Rings Twice 1982 opera 外部連結 编辑互联网电影数据库 IMDb 上 驚情 的资料 英文 取自 https zh wikipedia org w index php title 驚情 amp oldid 73669449, 维基百科，wiki，书籍，书籍，图书馆，
