^Amert, Kay. Stanley Morison's Aldine Hypothesis Revisited. Design Issues. April 2008, 24 (2): 53–71. S2CID 57566512. doi:10.1162/desi.2008.24.2.53.
^Vervliet, Hendrik D.L. The palaeotypography of the French Renaissance. Selected papers on sixteenth-century typefaces. 2 vols.. Leiden: Koninklijke Brill NV. 2008: 90–91, etc. ISBN 978-90-04-16982-1. [On Robert Estienne's typefaces of the 1530s]: Its outstanding design became standard for Roman type in the two centuries to follow...From the 1540s onwards French Romans and Italics had begun to infiltrate, probably by way of Lyons, the typography of the neighbouring countries. In Italy, major printers replaced the older, noble but worn Italian characters and their imitations from Basle.
^Bergsland, David. . The Skilled Workman. [14 August 2015]. （原始内容存档于2022-01-17）.
^Parkes, Malcolm Beckwith. Pause and Effect: An Introduction to the History of Punctuation in the West. Aldershot, UK: Scolar Press. 1992: 215.
羅馬體, 此條目可参照英語維基百科相應條目来扩充, 若您熟悉来源语言和主题, 请协助参考外语维基百科扩充条目, 请勿直接提交机械翻译, 也不要翻译不可靠, 低品质内容, 依版权协议, 译文需在编辑摘要注明来源, 或于讨论页顶部标记, href, template, translated, page, html, title, template, translated, page, translated, page, 标签, 在拉丁字母的字體排印學中, 英語, roman, type, 是一種主要印刷字形, 與哥特體. 此條目可参照英語維基百科相應條目来扩充 若您熟悉来源语言和主题 请协助参考外语维基百科扩充条目 请勿直接提交机械翻译 也不要翻译不可靠 低品质内容 依版权协议 译文需在编辑摘要注明来源 或于讨论页顶部标记 a href Template Translated page html title Template Translated page Translated page a 标签 在拉丁字母的字體排印學中 羅馬體 英語 Roman type 是一種主要印刷字形 與哥特體 Blackletter 義大利體並列為三大主流字形 也被稱為標準體 Regular 羅馬體根據古羅馬時代 在建築上的銘文而設計 其特色為直立 正寫 起源於14世紀 當時為神聖羅馬帝國時代 5 在文藝復興時期 羅馬體與義大利體成為兩大主要印刷字形 由Stanley Morison在1928年 根據Francesco Griffo在1495年的手稿而設計的Bembo字形 屬於羅馬體 1 2 3 4 参考资料 编辑 Amert Kay Stanley Morison s Aldine Hypothesis Revisited Design Issues April 2008 24 2 53 71 S2CID 57566512 doi 10 1162 desi 2008 24 2 53 Vervliet Hendrik D L The palaeotypography of the French Renaissance Selected papers on sixteenth century typefaces 2 vols Leiden Koninklijke Brill NV 2008 90 91 etc ISBN 978 90 04 16982 1 On Robert Estienne s typefaces of the 1530s Its outstanding design became standard for Roman type in the two centuries to follow From the 1540s onwards French Romans and Italics had begun to infiltrate probably by way of Lyons the typography of the neighbouring countries In Italy major printers replaced the older noble but worn Italian characters and their imitations from Basle Bergsland David Aldine the intellectuals begin their assault on font design The Skilled Workman 14 August 2015 原始内容存档于2022 01 17 Parkes Malcolm Beckwith Pause and Effect An Introduction to the History of Punctuation in the West Aldershot UK Scolar Press 1992 215 Bringhurst p 124 取自 https zh wikipedia org w index php title 羅馬體 amp oldid 72678748, 维基百科，wiki，书籍，书籍，图书馆，
