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维基百科

金屬蕊

金屬蕊(Metalcore)是一個金屬樂的子類型,結合了極端金屬硬蕊龐克。金屬蕊這個詞大約是在1990年代中期出現,由極端金屬的「金屬」與硬蕊的「蕊」組成,而這些類型樂團有Earth Crisis、Deadguy、Integrity[1]這些早期的樂團,像是Integrity,最早在1988年表演,當時玩這類型的樂團有終極殺戮樂團(Killswitch Engage)、叛客魔咒樂團(Underoath)、All That Remains、 混種魔獸樂團(Trivium)、As I Lay Dying、致命情人樂團(Bullet for My Valentine)與The Devil Wears Prada[2]

金屬蕊
風格起源混合鞭撻硬蕊龐克極端金屬
文化起源1980年代中期的美國
典型樂器吉他貝斯 (雙踏)、歌唱
類型分支
數學核(Mathcore)
旋律金屬核(melodic metalcore)
融合類型
死核(Deathcore)
前卫金属核(Progressive metalcore)
新金属核 (Nu Metalcore)
電子蕊 (Electronicore)
地區樂壇
麻薩諸塞州紐澤西州紐約
其他主題
後硬核Breakdown直刃族、龐克金屬(Punk Metal)

金屬蕊和其他融合龐克金屬的音樂,不同之處在於:他更強調Breakdown[3]。Breakdown是一種較緩慢,節奏卻強烈的曲段,通常會使聽者做「衝撞」(Mosh Pit)的動作。[4]在過去的五年中,衝撞這個動作已經由樂團Sepultura立為金屬蕊表演中不成文的傳統。[5]關於衝撞,他則是一種在舞台前方,對空氣拳打腳踢、觀眾互相碰撞的動作。2018年10月18日,Alex Varkatzas,Atreyu的主唱,在Rock Sound Magazine的采访中错误地说他们发明了金属核心。[6]

歷史 编辑

先驅 (1977–1984) 编辑

Black Flag[7]與Bad Brains[8]這些硬蕊的先鋒,相當欣賞樂團黑色安息日,進而開始模仿他們。美國街頭龐克樂團,如Discharge、The Exploited都從重金屬樂獲得啟發。[9]樂團Misfits發行的《Earth A.D.》成為影響鞭撻金屬最大的一張專輯。[10]然而,龐克與金屬的音樂文化在1980年代中期以前,仍有區別。

混合鞭撻 (1984–1988) 编辑

在金屬與硬蕊的交互影響下,混合鞭撻(Crossover Thrash)就這麼誕生了。1984年,在加州柏克萊的一間叫作Ruthie's的俱樂部。[11],「金屬蕊」這個詞原先就是來形容這些混合金屬與硬蕊的樂團。[12]硬蕊龐克團體Corrosion of Conformity[13]、Dirty Rotten Imbeciles和Suicidal Tendencies[14]也開始與一些鞭撻金屬樂團如金屬製品(Metallica)、超級殺手合唱團(Slayer)同台演出。這樣的背景影響了紐約硬蕊的光頭黨們,紐約硬蕊始自1984年,這些團體有Cro-Mags、Murphy's Law、Agnostic Front[15]與Warzone[16]。其中受影響最大的樂團The Cro-Mags,被等同於Bad Brains、摩托頭(Motörhead)和黑色安息日。[17]Cro-Mags同樣融合了直刃族(straight edge),令人驚訝的還有奎師那意識(Krishna consciousness).[18]其他紐約直刃族們,包括Gorilla Biscuits、Crumbsuckers與Youth of Today[19],也加入了Youth Crew風格。[20]到了1985年,Breakdown開始在硬蕊音樂發展,他是一種Bad Brains的雷鬼與金屬背景的結合[4],使得觀眾做出「衝撞」的動作。Agnostic Front發行於1986年的專輯《Cause for Alarm》與歌德金屬樂團Type O Negative成員Peter Steele合作,正是一個硬蕊與金屬交融的分水嶺。[21]

 
2008年Converge在位於西雅圖Neumo

金屬化的硬蕊 (1989–1995) 编辑

1989與1995年之間,一群新潮的硬蕊樂團出現了。[2]這些樂團有Merauder、All Out War、[22]Integrity[23]Biohazard、Earth Crisis、[23][24] Converge、[24]Shai Hulud、[25][26][27]Starkweather、Judge、[24]Strife、[23]Rorschach、[28]Vision of Disorder、[28]與暴種樂團(Hatebreed)。[23][28][28]Integrity受到日本硬蕊團體GISM與金屬樂團超級殺手合唱團(Slayer)影響,樂團Septic Death、Samhain、摩托頭(Motörhead)與歡樂分隊(Joy Division)多少也影響他們。[29]同時,Earth Crisis、Converge與暴種樂團(Hatebreed)[30]死亡金屬得到啟發。[31]樂團Shai Hulud的作品《Hearts Once Nourished with Hope and Compassion》[25][26][27]和Earth Crisis發行於1995年的《Destroy the Machines》尤其能看見這樣的影響。[32]吉他手Scott Crouse之言:

這是一個混合的的反應。我時常把Earth Crisis說為第一個帶有金屬味的硬蕊樂團。當然,我們不是第一個,但我想,我們的確將硬蕊提升到另一個層次。我常聽見人們說:『這些小子想把自己當潘特拉合唱團(Pantera)!』對我們來說,這真是個讚美![32]

Biohazard、Coalesce、[33]、Overcast也是早期重要的金屬蕊樂團。他們被歸類為「金屬化硬蕊」(Metallic Hardcore)[34][35]如同媒體記者Lars Gotrich所寫的:「樂團Dillinger Escape Plan、Botch與Give Them Rope的幾張關鍵作品,正是一個地下音樂的里程碑,幫助那些金屬蕊的先鋒。在聽起來太過還原的風險下-太遲了-在極端金屬與硬蕊的碰頭下,金屬蕊自然而然的行成了,在快速加劇的拍號中,這些音樂聽起來更為激進。」[36]

旋律金屬蕊 (1995–至今) 编辑

1990年代早期,第三波的新生金屬蕊樂團出現了,這些樂團更著重在音樂旋律上。他們結合旋律死亡金屬硬蕊龐克Emo[37]旋律金屬蕊(Melodic metalcore)的樂團有Atreyu、[37][38][39] 七級煉獄樂團(Avenged Sevenfold)、[39] Darkest Hour、Eighteen Visions、[38]終極殺戮樂團(Killswitch Engage)、[37][40]和Poison the Well。[38]這些樂團最主要是受到瑞典旋死樂團,尤其是At the Gates[38]邪神大敵樂團(Arch Enemy)、烈焰邪神樂團(In Flames)和撒旦之作樂團(Soilwork)。[41]旋律金屬蕊,往往都會使用清腔[40][42][43]部分的旋律金屬蕊,如魅影魔星樂團(Shadows Fall),受到美國80年代華麗金屬的唱腔。[44]旋律金屬蕊他們被形容為「重回80年代金屬的老調」一般,「一堆的排煙機、過多的獨奏(和)三個爵士鼓」。[39]

特徵 编辑

金屬蕊以其使用Breakdown而闻名,其中之前是重型硬核。[45]金屬蕊歌手通常会尖叫,[46] 在20世纪80年代发展起来的声乐技术,是具有20世纪90年代的金屬蕊核心特征。

參考資料 编辑

  1. ^ . [2008-09-21]. (原始内容存档于2008-10-16). As far as coining the term 'metalcore' or coining a sound, I don’t think we did. There were bands before Shai Hulud started that my friends and I were referring to as 'metalcore'. Bands like Burn, Deadguy, Earth Crisis, even Integrity. These bands that were heavier than the average hardcore bands. These bands that were more progressive than the average hardcore band. My friends and I would always refer to them as 'metalcore' because it wasn’t purely hardcore and it wasn’t purely metal. It was like a heavier hardcore band with hardcore ethics and attitude but clearly a metal influence. So we would joke around and say 'Hey, it’s metalcore. Cool!' But it was definitely a tongue-in-cheek term. 
  2. ^ 2.0 2.1 Blood Runs Deep: 23 Bands Who Shaped the Scene. Alternative Press. July 7, 2008: 110, 118. 
  3. ^ "The best part of every metalcore song is the breakdown, the part where the drums drop out and the guitars slow their frantic gallop to a devastating, precise crunch-riff and everyone in the moshpit goes extra nuts." - Tom Breihan. "Status Ain't Hood". "Live: Trivium, the Jackson 5 of Underground Metal" 互联网档案馆的,存档日期2010-01-17.. The Village Voice. Daily Voice. October 11, 2006. Access date: July 21, 2008.
  4. ^ 4.0 4.1 "Mosh style was slower, very tribal – like a Reggae beat adapted to Hardcore. [...] It was an outbreak of dancing with a mid-tempo beat driven by floor tom and snare." - Howie Abrams, Blush, p. 193
  5. ^ MTVNews.com: The Greatest Metal Bands of All Time. MTV. [17 May 2010]. (原始内容于2013-10-21). 
  6. ^ Atreyu Frontman Alex Varkatzas: “We Invented Metalcore. That May Sound Cocky But I Don’t Care.” - Features - Rock Sound Magazine. Rock Sound Magazine. [2018-10-17]. (原始内容于2021-03-11) (英国英语). 
  7. ^ Blush, American Hardcore, part 2, "Thirsty and Miserable", p. 63, 66
  8. ^ Andersen, Mark and Mark Jenkins (2003). Dance of Days: Two Decades of Punk in the Nation's Capital. "Positive Mental Attitude". p. 27. Akashic Books. ISBN 1-888451-44-0
  9. ^ Glasper, Ian (2004). Burning Britain: The History of UK Punk 1980-1984. Cherry Red Books. p. 5. ISBN 1-901447-24-3
  10. ^ Blush, "Hits from Hell", American Hardcore, p. 204
  11. ^ Blush, p. 115
  12. ^ Felix von Havoc, Maximum Rock'n'Roll #198 [1] (页面存档备份,存于互联网档案馆). Access date: June 20, 2008
  13. ^ Blush, p. 193
  14. ^ Christe, Ian: Sound of the Beast: The Complete Headbanging History of Heavy Metal (2003), p. 184
  15. ^ Blush, p. 186
  16. ^ Blush, p. 188
  17. ^ Blush, p. 189
  18. ^ "Cro-Mags were the first band to attract both Skinheads and metalhead audiences; their music at the point where Hardcore nihilism met Metal power." Blush, p. 189
  19. ^ Blush, p. 194
  20. ^ Alternative Press, July 7, 2008, p. 109
  21. ^ Blush, p. 192
  22. ^ . [2020-06-16]. (原始内容存档于2013-10-12). 
  23. ^ 23.0 23.1 23.2 23.3 "here the term (metalcore) is used in its original context, referencing the likes of Strife, Earth Crisis, and Integrity ...", Ian Glasper, Terrorizer no. 171, June 2008, p. 78
  24. ^ 24.0 24.1 24.2 Mudrian, Albert (2000). Choosing Death: The Improbable History of Death Metal and Grindcore. Feral House. ISBN 1-932595-04-X. p. 222-223
  25. ^ 25.0 25.1 . [2011-11-01]. (原始内容存档于2012-03-27). Shai Hulud, a name that is synonymous (in heavy music circles at least) with intelligent, provocative and most importantly unique metallic hardcore. The band’s earliest release is widely credited with influencing an entire generation of musicians 
  26. ^ 26.0 26.1 Shai Hulud - Hearts Once Nourished With Hope And Co Review - sputnikmusic. Hearts Once Nourished with Hope and Compassion is pretty much the prime in early melodic metalcore. So many bands in both the modern metalcore and hardcore scene have drawn vast influence from them, because of how perfect they blend hardcore and metal. 
  27. ^ 27.0 27.1 In At The Deep End Records. [2011-11-01]. (原始内容于2020-09-23). Regardless of whether or not you liked Shai Hulud, it is undeniable that Hearts Once Nourished with Hope and Compassion was an oft-imitated and highly influential release in the mid-to-late nineties. 
  28. ^ 28.0 28.1 28.2 28.3 Ross Haenfler, Straight Edge: Clean-living Youth, Hardcore Punk, and Social Change, Rutgers University Press. ISBN 0-8135-3852-1 p. 87-88
  29. ^ "It was this simple formula that's single-handedly responsible for every band you hear combining heavy metal and hardcore today." Blood Runs Deep: 23 Bands Who Shaped the Scene. Alternative Press. July 7, 2008: 110. 
  30. ^ Hatebreed cites Entombed and Bolt Thrower. Q&A with Jamey Jasta, Miami New Times, May 27, 2008. [2] (页面存档备份,存于互联网档案馆) Access date: June 22, 2008
  31. ^ Karl Buechner of Earth Crisis cites Napalm Death, Bolt Thrower, and Obituary as prime influences. Mudrian also discusses Converge and Bloodlet and their relationship to death metal. See Mudrian, Albert (2000). Choosing Death: The Improbable History of Death Metal and Grindcore. Feral House. ISBN 1-932595-04-X. p. 222-223
  32. ^ 32.0 32.1 Gabriel Cardenas Salas, "Blasts from the Past," Terrorizer 180, February 2009, p. 96.
  33. ^ The History of Rock Music: 1990-1999. [2011-11-05]. (原始内容于2021-04-19). 
  34. ^ EXCLUSIVE INTERVIEW WITH SHAI HULUD GUITARIST MATT FOX. [2008-10-09]. (原始内容于2008-08-17). When we used to joke with the term, it was just a clever (or not so clever) way of describing a metallic hardcore, metal-influenced hardcore, or hardcore-influenced metal band. 
  35. ^ J. Bennett, "Converge's Jane Doe, Revolver, June 2008
  36. ^ Lars Gotrich, "Coalesce: A Tale of Two Ropes," All Songs Considered, 25 October 2011. [3] (页面存档备份,存于互联网档案馆
  37. ^ 37.0 37.1 37.2 Lee, Cosmo; Voegtlin, Stewart. . Stylus Magazine. [17 May 2010]. (原始内容存档于2009-10-02). 
  38. ^ 38.0 38.1 38.2 38.3 Allmusic Review, Atreyu, Suicide Notes and Butterfly Kisses [4] Access date: June 24, 2008
  39. ^ 39.0 39.1 39.2 "Taste of Chaos", Revolver, June 2008. p. 110. "This is the Rockstar Taste of Chaos Tour, a night when heavier melodic-metalcore bands like Atreyu and Avenged Sevenfold intend to position themselves as the next generation of bands to actually pack arenas [...]"
  40. ^ 40.0 40.1 Metalrage, 12/30/07 [5] (页面存档备份,存于互联网档案馆) Access date: June 24, 2008
  41. ^ Metal Injection, August 28, 2007 [6] (页面存档备份,存于互联网档案馆) Access date: June 24, 2008
  42. ^ El Paisano, 9/12/07 . [2008-06-24]. (原始内容存档于2009-01-14).  Access date: June 24, 2008
  43. ^ Suicide Notes and Butterfly Kisses review 互联网档案馆的,存档日期2009-02-12.
  44. ^ Dan Epstein, "The Brewtal Truth", Revolver, Nov. 2004, p. 65
  45. ^ Resistance (22–26). Resistance Records: 111. 2004. 
  46. ^ 引用错误:没有为名为WhatIsMetalcore的参考文献提供内容

金屬蕊, 此條目部分链接不符合格式手冊規範, 跨語言链接及章節標題等處的链接可能需要清理, 2015年12月12日, 請協助改善此條目, 參見wp, linkstyle, mosiw以了解細節, 突出显示跨语言链接可以便于检查, metalcore, 是一個金屬樂的子類型, 結合了極端金屬與硬蕊龐克, 這個詞大約是在1990年代中期出現, 由極端金屬的, 金屬, 與硬蕊的, 組成, 而這些類型樂團有earth, crisis, deadguy, integrity, 這些早期的樂團, 像是integrity, 最早. 此條目部分链接不符合格式手冊規範 跨語言链接及章節標題等處的链接可能需要清理 2015年12月12日 請協助改善此條目 參見WP LINKSTYLE WP MOSIW以了解細節 突出显示跨语言链接可以便于检查 金屬蕊 Metalcore 是一個金屬樂的子類型 結合了極端金屬與硬蕊龐克 金屬蕊這個詞大約是在1990年代中期出現 由極端金屬的 金屬 與硬蕊的 蕊 組成 而這些類型樂團有Earth Crisis Deadguy Integrity 1 這些早期的樂團 像是Integrity 最早在1988年表演 當時玩這類型的樂團有終極殺戮樂團 Killswitch Engage 叛客魔咒樂團 Underoath All That Remains 混種魔獸樂團 Trivium As I Lay Dying 致命情人樂團 Bullet for My Valentine 與The Devil Wears Prada 2 金屬蕊風格起源混合鞭撻 硬蕊龐克 極端金屬文化起源1980年代中期的美國典型樂器吉他 貝斯 鼓 雙踏 歌唱類型分支數學核 Mathcore 旋律金屬核 melodic metalcore 融合類型死核 Deathcore 前卫金属核 Progressive metalcore 新金属核 Nu Metalcore 電子蕊 Electronicore 地區樂壇麻薩諸塞州 紐澤西州 紐約其他主題後硬核 Breakdown 直刃族 龐克金屬 Punk Metal 金屬蕊和其他融合龐克金屬的音樂 不同之處在於 他更強調Breakdown 3 Breakdown是一種較緩慢 節奏卻強烈的曲段 通常會使聽者做 衝撞 Mosh Pit 的動作 4 在過去的五年中 衝撞這個動作已經由樂團Sepultura立為金屬蕊表演中不成文的傳統 5 關於衝撞 他則是一種在舞台前方 對空氣拳打腳踢 觀眾互相碰撞的動作 2018年10月18日 Alex Varkatzas Atreyu的主唱 在Rock Sound Magazine的采访中错误地说他们发明了金属核心 6 目录 1 歷史 1 1 先驅 1977 1984 1 2 混合鞭撻 1984 1988 1 3 金屬化的硬蕊 1989 1995 1 4 旋律金屬蕊 1995 至今 2 特徵 3 參考資料歷史 编辑先驅 1977 1984 编辑 主条目 硬蕊龐克 Black Flag 7 與Bad Brains 8 這些硬蕊的先鋒 相當欣賞樂團黑色安息日 進而開始模仿他們 美國街頭龐克樂團 如Discharge The Exploited都從重金屬樂獲得啟發 9 樂團Misfits發行的 Earth A D 成為影響鞭撻金屬最大的一張專輯 10 然而 龐克與金屬的音樂文化在1980年代中期以前 仍有區別 混合鞭撻 1984 1988 编辑 在金屬與硬蕊的交互影響下 混合鞭撻 Crossover Thrash 就這麼誕生了 1984年 在加州柏克萊的一間叫作Ruthie s的俱樂部 11 金屬蕊 這個詞原先就是來形容這些混合金屬與硬蕊的樂團 12 硬蕊龐克團體Corrosion of Conformity 13 Dirty Rotten Imbeciles和Suicidal Tendencies 14 也開始與一些鞭撻金屬樂團如金屬製品 Metallica 超級殺手合唱團 Slayer 同台演出 這樣的背景影響了紐約硬蕊的光頭黨們 紐約硬蕊始自1984年 這些團體有Cro Mags Murphy s Law Agnostic Front 15 與Warzone 16 其中受影響最大的樂團The Cro Mags 被等同於Bad Brains 摩托頭 Motorhead 和黑色安息日 17 Cro Mags同樣融合了直刃族 straight edge 令人驚訝的還有奎師那意識 Krishna consciousness 18 其他紐約直刃族們 包括Gorilla Biscuits Crumbsuckers與Youth of Today 19 也加入了Youth Crew風格 20 到了1985年 Breakdown開始在硬蕊音樂發展 他是一種Bad Brains的雷鬼與金屬背景的結合 4 使得觀眾做出 衝撞 的動作 Agnostic Front發行於1986年的專輯 Cause for Alarm 與歌德金屬樂團Type O Negative成員Peter Steele合作 正是一個硬蕊與金屬交融的分水嶺 21 nbsp 2008年Converge在位於西雅圖的Neumo金屬化的硬蕊 1989 1995 编辑1989與1995年之間 一群新潮的硬蕊樂團出現了 2 這些樂團有Merauder All Out War 22 Integrity 23 Biohazard Earth Crisis 23 24 Converge 24 Shai Hulud 25 26 27 Starkweather Judge 24 Strife 23 Rorschach 28 Vision of Disorder 28 與暴種樂團 Hatebreed 23 28 28 Integrity受到日本硬蕊團體GISM與金屬樂團超級殺手合唱團 Slayer 影響 樂團Septic Death Samhain 摩托頭 Motorhead 與歡樂分隊 Joy Division 多少也影響他們 29 同時 Earth Crisis Converge與暴種樂團 Hatebreed 30 從死亡金屬得到啟發 31 樂團Shai Hulud的作品 Hearts Once Nourished with Hope and Compassion 25 26 27 和Earth Crisis發行於1995年的 Destroy the Machines 尤其能看見這樣的影響 32 吉他手Scott Crouse之言 這是一個混合的的反應 我時常把Earth Crisis說為第一個帶有金屬味的硬蕊樂團 當然 我們不是第一個 但我想 我們的確將硬蕊提升到另一個層次 我常聽見人們說 這些小子想把自己當潘特拉合唱團 Pantera 對我們來說 這真是個讚美 32 Biohazard Coalesce 33 Overcast也是早期重要的金屬蕊樂團 他們被歸類為 金屬化硬蕊 Metallic Hardcore 34 35 如同媒體記者Lars Gotrich所寫的 樂團Dillinger Escape Plan Botch與Give Them Rope的幾張關鍵作品 正是一個地下音樂的里程碑 幫助那些金屬蕊的先鋒 在聽起來太過還原的風險下 太遲了 在極端金屬與硬蕊的碰頭下 金屬蕊自然而然的行成了 在快速加劇的拍號中 這些音樂聽起來更為激進 36 旋律金屬蕊 1995 至今 编辑 1990年代早期 第三波的新生金屬蕊樂團出現了 這些樂團更著重在音樂旋律上 他們結合旋律死亡金屬 硬蕊龐克 Emo 37 旋律金屬蕊 Melodic metalcore 的樂團有Atreyu 37 38 39 七級煉獄樂團 Avenged Sevenfold 39 Darkest Hour Eighteen Visions 38 終極殺戮樂團 Killswitch Engage 37 40 和Poison the Well 38 這些樂團最主要是受到瑞典旋死樂團 尤其是At the Gates 38 邪神大敵樂團 Arch Enemy 烈焰邪神樂團 In Flames 和撒旦之作樂團 Soilwork 41 旋律金屬蕊 往往都會使用清腔 40 42 43 部分的旋律金屬蕊 如魅影魔星樂團 Shadows Fall 受到美國80年代華麗金屬的唱腔 44 旋律金屬蕊他們被形容為 重回80年代金屬的老調 一般 一堆的排煙機 過多的獨奏 和 三個爵士鼓 39 特徵 编辑金屬蕊以其使用Breakdown而闻名 其中之前是重型硬核 45 金屬蕊歌手通常会尖叫 46 在20世纪80年代发展起来的声乐技术 是具有20世纪90年代的金屬蕊核心特征 參考資料 编辑 Shai Hulud interview with Punknews org 05 28 08 2008 09 21 原始内容存档于2008 10 16 As far as coining the term metalcore or coining a sound I don t think we did There were bands before Shai Hulud started that my friends and I were referring to as metalcore Bands like Burn Deadguy Earth Crisis even Integrity These bands that were heavier than the average hardcore bands These bands that were more progressive than the average hardcore band My friends and I would always refer to them as metalcore because it wasn t purely hardcore and it wasn t purely metal It was like a heavier hardcore band with hardcore ethics and attitude but clearly a metal influence So we would joke around and say Hey it s metalcore Cool But it was definitely a tongue in cheek term 2 0 2 1 Blood Runs Deep 23 Bands Who Shaped the Scene Alternative Press July 7 2008 110 118 The best part of every metalcore song is the breakdown the part where the drums drop out and the guitars slow their frantic gallop to a devastating precise crunch riff and everyone in the moshpit goes extra nuts Tom Breihan Status Ain t Hood Live Trivium the Jackson 5 of Underground Metal 互联网档案馆的存檔 存档日期2010 01 17 The Village Voice Daily Voice October 11 2006 Access date July 21 2008 4 0 4 1 Mosh style was slower very tribal like a Reggae beat adapted to Hardcore It was an outbreak of dancing with a mid tempo beat driven by floor tom and snare Howie Abrams Blush p 193 MTVNews com The Greatest Metal Bands of All Time MTV 17 May 2010 原始内容存档于2013 10 21 Atreyu Frontman Alex Varkatzas We Invented Metalcore That May Sound Cocky But I Don t Care Features Rock Sound Magazine Rock Sound Magazine 2018 10 17 原始内容存档于2021 03 11 英国英语 Blush American Hardcore part 2 Thirsty and Miserable p 63 66 Andersen Mark and Mark Jenkins 2003 Dance of Days Two Decades of Punk in the Nation s Capital Positive Mental Attitude p 27 Akashic Books ISBN 1 888451 44 0 Glasper Ian 2004 Burning Britain The History of UK Punk 1980 1984 Cherry Red Books p 5 ISBN 1 901447 24 3 Blush Hits from Hell American Hardcore p 204 Blush p 115 Felix von Havoc Maximum Rock n Roll 198 1 页面存档备份 存于互联网档案馆 Access date June 20 2008 Blush p 193 Christe Ian Sound of the Beast The Complete Headbanging History of Heavy Metal 2003 p 184 Blush p 186 Blush p 188 Blush p 189 Cro Mags were the first band to attract both Skinheads and metalhead audiences their music at the point where Hardcore nihilism met Metal power Blush p 189 Blush p 194 Alternative Press July 7 2008 p 109 Blush p 192 METAL INSIDE Das online Metal Rock und Alternative Magazin 2020 06 16 原始内容存档于2013 10 12 23 0 23 1 23 2 23 3 here the term metalcore is used in its original context referencing the likes of Strife Earth Crisis and Integrity Ian Glasper Terrorizer no 171 June 2008 p 78 24 0 24 1 24 2 Mudrian Albert 2000 Choosing Death The Improbable History of Death Metal and Grindcore Feral House ISBN 1 932595 04 X p 222 223 25 0 25 1 Kill Your Stereo Reviews Shai Hulud Misanthropy Pure 2011 11 01 原始内容存档于2012 03 27 Shai Hulud a name that is synonymous in heavy music circles at least with intelligent provocative and most importantly unique metallic hardcore The band s earliest release is widely credited with influencing an entire generation of musicians 26 0 26 1 Shai Hulud Hearts Once Nourished With Hope And Co Review sputnikmusic Hearts Once Nourished with Hope and Compassion is pretty much the prime in early melodic metalcore So many bands in both the modern metalcore and hardcore scene have drawn vast influence from them because of how perfect they blend hardcore and metal 27 0 27 1 In At The Deep End Records 2011 11 01 原始内容存档于2020 09 23 Regardless of whether or not you liked Shai Hulud it is undeniable that Hearts Once Nourished with Hope and Compassion was an oft imitated and highly influential release in the mid to late nineties 28 0 28 1 28 2 28 3 Ross Haenfler Straight Edge Clean living Youth Hardcore Punk and Social Change Rutgers University Press ISBN 0 8135 3852 1 p 87 88 It was this simple formula that s single handedly responsible for every band you hear combining heavy metal and hardcore today Blood Runs Deep 23 Bands Who Shaped the Scene Alternative Press July 7 2008 110 Hatebreed cites Entombed and Bolt Thrower Q amp A with Jamey Jasta Miami New Times May 27 2008 2 页面存档备份 存于互联网档案馆 Access date June 22 2008 Karl Buechner of Earth Crisis cites Napalm Death Bolt Thrower and Obituary as prime influences Mudrian also discusses Converge and Bloodlet and their relationship to death metal See Mudrian Albert 2000 Choosing Death The Improbable History of Death Metal and Grindcore Feral House ISBN 1 932595 04 X p 222 223 32 0 32 1 Gabriel Cardenas Salas Blasts from the Past Terrorizer 180 February 2009 p 96 The History of Rock Music 1990 1999 2011 11 05 原始内容存档于2021 04 19 EXCLUSIVE INTERVIEW WITH SHAI HULUD GUITARIST MATT FOX 2008 10 09 原始内容存档于2008 08 17 When we used to joke with the term it was just a clever or not so clever way of describing a metallic hardcore metal influenced hardcore or hardcore influenced metal band J Bennett Converge s Jane Doe Revolver June 2008 Lars Gotrich Coalesce A Tale of Two Ropes All Songs Considered 25 October 2011 3 页面存档备份 存于互联网档案馆 37 0 37 1 37 2 Lee Cosmo Voegtlin Stewart Into the void Stylus Magazine s Beginner s Guide to Metal Article Stylus Magazine Stylus Magazine 17 May 2010 原始内容存档于2009 10 02 38 0 38 1 38 2 38 3 Allmusic Review Atreyu Suicide Notes and Butterfly Kisses 4 Access date June 24 2008 39 0 39 1 39 2 Taste of Chaos Revolver June 2008 p 110 This is the Rockstar Taste of Chaos Tour a night when heavier melodic metalcore bands like Atreyu and Avenged Sevenfold intend to position themselves as the next generation of bands to actually pack arenas 40 0 40 1 Metalrage 12 30 07 5 页面存档备份 存于互联网档案馆 Access date June 24 2008 Metal Injection August 28 2007 6 页面存档备份 存于互联网档案馆 Access date June 24 2008 El Paisano 9 12 07 存档副本 2008 06 24 原始内容存档于2009 01 14 Access date June 24 2008 Suicide Notes and Butterfly Kisses review 互联网档案馆的存檔 存档日期2009 02 12 Dan Epstein The Brewtal Truth Revolver Nov 2004 p 65 Resistance 22 26 Resistance Records 111 2004 引用错误 没有为名为WhatIsMetalcore的参考文献提供内容 取自 https zh wikipedia org w index php title 金屬蕊 amp oldid 75221561, 维基百科,wiki,书籍,书籍,图书馆,

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